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The sound of the sea

Recent Posts

THE 171/172 PROJECT – Part 1 May 23, 2020
Guitar resonance and soundhole theory – Part 14: GUITAR SOUNDBOARD VIBRATIONAL MODES March 31, 2019
Guitar resonance and soundhole geometry – Part 13: YOUR CAR AS A HELMHOLTZ RESONATOR March 31, 2019
Guitar resonance and soundhole geometry – Part 12: EVALUATION OF THE PERFORMANCE OF THE ACOUSTIC HOOD March 31, 2019
Guitar resonance and soundhole geometry – Part 11: THE ACOUSTIC UNITS USED IN THE EXPERIMENT AND WHY March 31, 2019
Guitar resonance and soundhole geometry – Part 10: EXPERIMENTAL EQUIPMENT USED March 31, 2019
Guitar resonance and soundhole geometry – Part 9: EXPERIMENTAL VALIDATION March 30, 2019
Guitar resonance and soundhole geometry – Part 8: HIGH P:A SOUNDSLOT DESIGN PRINCIPLES March 30, 2019
Guitar resonance and soundhole geometry – Part 7: HIGH PERIMETER TO AREA RATIO (P:A) SOUNDSLOTS March 30, 2019
Guitar resonance and soundhole geometry – Part 6: THE SOURCE OF SOUND FROM A GUITAR SOUNDHOLE March 30, 2019
Guitar resonance and soundhole geometry – Part 5: HELMHOLTZ RESONANCE AND THE GUITAR March 30, 2019
Guitar resonance and soundhole geometry – Part 4: THE EFFECT OF SOUNDHOLE SIZE March 30, 2019
Guitar resonance and soundhole geometry – Part 3: MY SOUNDHOLE EXPERIMENTS March 30, 2019
Guitar resonance and soundhole geometry – Part 2: THE AIR-CAVITY RESPONSE March 29, 2019
Guitar resonance and soundhole geometry – Part 1: A MODEL FOR HOW ACOUSTIC GUITARS WORK March 29, 2019
A visit from the Top Joint Fairy March 29, 2019
The case of the missing fundamental November 14, 2018
What is a “live back”? June 26, 2014
Cocky chorus with a crow solo February 2, 2014
Cicadas February 2, 2014

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